Obsessive Vegas-watchers are aware that construction is already underway for Caesars Entertainment's Linq Project in the middle of The Strip. For those not in the know, Caesars hopes that The Linq will be a bit of a game-changer, an outdoor entertainment and shopping mecca with a massive Ferris Wheel serving as the centerpiece. Modeled after London's giant "Observation Wheel" (which has been featured prominently in episodes of Doctor Who and Sherlock, for all my BBC-Nerds out there), Linq's version will feature massive gondolas and take about an hour to rotate from top to bottom. The Linq will also feature (as yet unnamed) shops, restaurants, bars, and entertainment options. As part of the half-billion dollar project, the sorta-crummy Imperial Palace will get a facelift and full re-brand (while
O'Shea's has already closed and will be demolished to make way for the new project).
Las Vegas is going through a strange time, as the post-recession economic blues continue to drag down new spending in Sin City (and pretty much everywhere else in the country). Construction on numerous resorts has been shut down mid-project, and the last major opening in Vegas was The Cosmopolitan in early 2011. MGM's hyper ambitious CityCenter project was scaled back after major delays before it finally opened in late 2009 (while one of its towers, The Harmon Hotel, will eventually be never open and will eventually be demolished). Multi-billion dollar projects like
The Fontainebleau and Echelon Place sit unfinished, serving as useful metaphors for the continued woes of Las Vegas (and little else).
Caesars believes that The Linq Project can bring a breath of fresh air to The Strip, even as they spend a fraction of the cost of a new mega-resort. The Linq plan makes a certain amount of sense, and will probably be successful enough. Even I'm looking forward to taking a spin on the wheel and enjoying the view of the glittering Strip at night, despite my usually cynical disposition.
That said, the fact that a big Ferris Wheel and outdoor mall is the most innovative and ambitious new construction happening on The Strip is a bit depressing and grim. In 2008, I read a great Vegas business book called
Winner Takes All: Steve Wynn, Kirk Kekorian, Gary Loveman, and the Race to Own Las Vegas (not to be confused with Abba's criminally catchy
The Winner Takes it All), by Wall Street Journal writer Christina Brinkley (not to be confused with
Christie Brinkley, muse of Billy Joel's criminally catchy
Uptown Girl) which argued that the arm's race to build bigger and more luxurious resorts in Las Vegas would never end. But the bubble did indeed burst as our entire financial system collapsed, bringing the ridiculous growth in the City of Sin to a screeching halt. Now most of the truly innovative development in Las Vegas is happening in Downtown, but most of those new openings are cool little Bars and Coffee shops... some of which are opening in decidedly
non-upscale shipping containers.
As much as I've raved about how Downtown is rapidly evolving into a truly cool and livable neighborhood, recent years have seen a decline in the sort of razzle dazzle that defines The Strip. I'm all for Vegas becoming a more livable city with interesting and unique small businesses, but I really do love the gargantuan stupidness of the city's famous boulevard.
The downscaling of ambition can be seen everywhere on The Strip. Take a look at the dining scene... while name chefs opened Five Star restaurants seemingly once a week way way back in 2007, these days new restaurant openings tend to be more middleclass Gastropubs serving decent Burgers and Beer (I'm not complaining, mind you... I love burgers and beers). Meanwhile, most high roller gamblers are taking their Black Jack money and making bets
in Macau, where Vegas developers like Sheldon Adelson and Steve Wynn are opening the kind of lavish resorts they used to build in the Nevada desert.
I prefer an intimate little dive bar with a good juke box and an
eclectic crowd on most nights, but when I go to Vegas I expect to
experience the crazy, over the top synthetic spectacle of it all.
Perhaps it's just recession fatigue setting in after nearly four years
of terrible economic news, but I'm disheartened by the lack of new stupidity and wastefully excessive resorts themed after El Dorado or The Tower of Babel
going up on The Strip. My preference is leans towards the more artsy and indie-friendly environs of Downtown, but I want The Strip to come back to vividly stupid life as well. The idea of a Las Vegas that features a neighborhood filled with Vegan bakeries, Craft Breweries, venues that feature the best indie rock and alt comedians just down the street from a massively stupid Strip of glittery fakeness makes it one of the most surreal cities on the planet, and the perfect place to get good and drunk for an entire lost weekend of madness.
The bottom line is that The Linq sounds like a fun and unique addition to The Strip, but it lacks the huge ambition of the most impressive resorts that seemed to open every few months during the first half of the 2000's. Las Vegas represents the dumber side of the American psyche, but when the best the city can do is build a big flashing Ferris Wheel, it's proof that our depressed psyche is in desperate need of some dumbness. We need the stupidity back. We need the rampant over-building of ludicrous Casino Resorts back. We need The Strip to get its groove back.
The Tequila Ranch Western Bar, World of Coke Store (which already has a location under a giant Soda-Pop bottle at The Showcase Mall), and Ghiradelli Chocolate Company (a San Francisco landmark that Chocoholics will fiend for) are all going to occupy store-fronts in the entertainment district in the foot of a giant Ferris Wheel, but the most exciting addition is also a big surprise... The Rock and Roll Hall of Fame.
Yes, there is already a massive Rock Hall in Cleveland, and no details have been released about the new one opening in Las Vegas. VegasChatter speculates that it will be some kind of off-shoot of the original version, which makes a lot of sense but also explains very little. What form of offshoot will it take? What will be included in this museum that's not included in the one in Ohio?
While it can be assumed that the new Rock and Roll Hall of Fame won't be a replacement for the original (because there won't be space to build anything nearly as large as the original and because nobody from Cleveland's Tourism Bureau seems to be in a panic about losing the one of the few reasons you'd ever want to go to Cleveland in the first place), the fact is that Las Vegas is a much more appropriate town for such a museum. Sure, the song Cleveland Rocks is totally a real song that actually exists, but the sentiment expressed in said tune is surely at least half-ironic (plus, it's association with ultra-square 90's sitcom The Drew Carey Show hasn't done much for its reputation). Either way, Las Vegas is a whole lot more rock n' roll than most cities that aren't Cleveland, what with its devotion to debauchery, open container laws, and the fact that its very nickname is Sin City.
So while it's too early to tell exactly what will be included in the Vegas Rock and Roll Hall of Fame, one can hope that it's as respectfully curated as the original one is in Cleveland (and that it's not just a kitschy Hard Rock Cafe, since the city already has not just one of those on The Strip but also features a Hard Rock Hotel and Casino located just off Las Vegas Blvd.). Nobody has confirmed if any acts will be inducted into the hallowed ranks of rock history at the Vegas location in
addition to the yearly, elaborate Cleveland ceremonies (which this past year notably featured an
Axl-less Guns N' Roses, the exact inverse of the current Slash-less GNR currently in residency at The Hard Rock Hotel and Casino... full circle! ) One thing that's nearly guaranteed is that the Rock Hall Vegas will include a live venue. Combined with the already announced Brooklyn Bowl, this will make The Linq a very rock-centric little slice of Las Vegas indeed, not something that was expected from Caesar's original plans that seemed to appeal more to middle class families than dangerous Rock Gods and their devoted fans. This means The Linq might actually be a very cool little area to see some great live music after strolling through a museum devoted to rock history. Granted, these venues will be side by side with some very un-rock n' roll chains (while The Yard House features an admirable devotion to Beer, it's hardly sinful Rock Bacchanal and more like The Cheesecake Factory with a big Suds list). So serious celebrations of Rock N' Roll rebellion will rub shoulders with happy families and yuppie tourists. It's a contradiction that's just oh-so-Vegas.
